The beat must not be like a tyrannical hammer, impeding or urging on, but must be to the music what the pulse-beat is to the life of man.
German Romantic composer (1786–1826)
The composer who cracked the code for German Romantic opera before Wagner was born. Der Freischütz—a story of a marksman, the devil, and magic bullets—became the template every German opera house wanted to repeat.
Weber's father dragged the family across half of Europe—Hamburg, Salzburg, Freiberg, Augsburg, Vienna—so the boy studied under a parade of teachers and wrote four operas before adulthood, none of which survived intact. He had range: two symphonies, concertos for clarinet and piano, the piano showpiece Invitation to the Dance, works tailored for the virtuoso clarinetist Heinrich Baermann. But the operas between 1810 and 1826—Silvana, Abu Hassan, Der Freischütz, Euryanthe, Oberon—rewired what German opera could be. Der Freischütz hit hardest and lasted longest, the work every composer from Marsc…
Sourced, dated quotes from Carl Maria von Weber
The beat must not be like a tyrannical hammer, impeding or urging on, but must be to the music what the pulse-beat is to the life of man.
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