[I]t takes a bad woman to be a good godmother.
American jazz singer (1915–1959)
She bent phrasing and tempo the way horn players did, treating her voice as an instrument and rewriting the rules for pop singing. "Lady Day" turned jazz standards into something rawer and more personal, and the world hasn't stopped listening.
Born Eleanora Fagan in 1915, Holiday survived a turbulent childhood and began singing in Harlem nightclubs, where producer John Hammond heard her and got her signed to Brunswick in 1935. Her collaboration with Teddy Wilson produced "What a Little Moonlight Can Do", a hit that became a jazz standard, and through the 1930s and 1940s she had mainstream success on Columbia and Decca. By the late 1940s legal troubles and drug abuse landed her in prison, but she walked out to a sold-out Carnegie Hall concert and kept performing through the 1950s with two more sold-out Carnegie shows. Her voice had c…
Sourced, dated quotes from Billie Holiday
[I]t takes a bad woman to be a good godmother.
No two people on earth are alike, and it's got to be that way in music or it isn't music.
I can’t stand to sing the same song the same way two nights in succession, let alone two years or ten years.
You can be up to your boobies in white satin, with gardenias in your hair and no sugar cane for miles, but you can still be working on a plantation.
Who love my man, I'm a liar if I say I don'tBut I'll quit my man, I'm a liar if I say I wont.
News and signals about Billie Holiday
The six component signals behind the Fame score, and their ranks across the leaderboards.
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