Benjamin Glazer
Screenwriter, producer, foley artist, and director of American films (1887-1956) · United States · On the map · Writers · Died at 68
Benjamin F. Glazer was a screenwriter, producer, Foley artist, and director of American films from the 1920s through the 1950s. He made the first translation of author / playwright Ferenc Molnár's play Liliom (1909) into English from its original Hungarian (Magyar) in 1921.
Benjamin Glazer is read about 13 times a day, in 21 languages.
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Bing Crosby Benjamin directed She Loves Me Not (1934)Charles Ruggles Benjamin produced Alice in Wonderland (1933)
Irving Bacon Benjamin produced This Is the Night (1932)
Cary Grant Benjamin produced Alice in Wonderland (1933)Ethel Merman Benjamin directed Anything Goes (1936)
George Burns Benjamin produced The Big Broadcast of 1936 (1935)
May Robson Benjamin produced Alice in Wonderland (1933)
Samuel S. Hinds Benjamin produced The Big Broadcast of 1936 (1935)
Fay Holden Benjamin produced Exclusive (1937)
Rolfe Sedan Benjamin produced This Is the Night (1932)
Lynne Overman Benjamin produced Enter Madame (1935)
Miriam Hopkins Benjamin directed She Loves Me Not (1934)Akim Tamiroff Benjamin produced The Big Broadcast of 1936 (1935)
John Garfield Benjamin produced Four Daughters (1938)
Adolphe Menjou Benjamin wrote Sinners in Silk (1924)
George Barbier Benjamin produced She Loves Me Not (1934)Gracie Allen Benjamin produced The Big Broadcast of 1936 (1935)
Martha Raye Benjamin produced Rhythm on the Range (1936)
Fred Malatesta Benjamin produced A Farewell to Arms (1932)
Gary Cooper Benjamin produced A Farewell to Arms (1932)
Ida Lupino Benjamin directed Anything Goes (1936)Frank Borzage Directed 7th Heaven and A Farewell to Arms
Claude Rains Benjamin produced Four Daughters (1938)
Frances Farmer Benjamin produced Rhythm on the Range (1936)
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His translation was used in the first American live stage play performance that year and later in the subsequent 1930 film version, and in every production in English of the play for the 115 years since its 1909 writing until recently. It also served as the basis for the libretto for Rodgers and Hammerstein's Carousel, as well as for Phoebe and Henry Ephron's screenplay for the 1956 film version.