Astrid Hadad
Mexican actress · Mexico · On the map · Actors · Born 1956 · age 70
Astrid Hadad is a Mexican singer and performer, mostly known for her irreverent political cabaret performances where she uses her own body as the scenic stage for all the symbols of Mexicanness and excessive femininity through her costuming.
Astrid Hadad is read about 25 times a day, in 6 languages.
A typical day, 30 days to 13 June 2026
The middle day of the days counted, so one week of news cannot move it. The line under it is the last 60 days, one point a day.
Something wrong?A life in dates
Astrid Hadad en el #50FICFilm
Astrid Hadad Y Su Cabaret Histórico: La Pluma O La EspadaFilm, 20222020
A Mermaid in ParisFilm, Sylvia Snow aged2018
La Más DragaSeries, Astrid Hadad2015
Noche, Boleros y SonSeries, Astrid Hadad2014
4 MoonsFilm, Alfonsina
Love of My LovesFilm, 2014Astrid Hadad2010
InfinitoFilm2007Foro OnceSeries2005
Hasta el último trago... CorazónFilm, Astrid Hadad1997
Conversando con Cristina PachecoSeries, Astrid Hadad1992
Sólo con tu parejaFilm, Teresa de Teresa1956Born4 January 1956People around Astrid
Close ties
Known for
View all 9 titles
Love of My Loves 2014
4 Moons 2014
A Mermaid in Paris 2020
Sólo con tu pareja 1992
Filmography 9
14 credits on file
Television 4
Media & music
About this person
Hadad was born in Chetumal, Quintana Roo, Mexico and currently lives in Mexico City. Of Mayan and Lebanese heritage, growing up near the Belize border and able to hear Caribbean radio stations coming from Cuba has been hugely influential on her heterogeneous perspective on social and cultural national life. Coupled with that, her incessant desire to critique the powers that be, her background as a political science major in college, her ongoing explorations in non-traditional theatrical forms, is all that fuels Hadad's unique political cabaret performances. As Roselyn Constantino has written, "[o]ut of Hadad's meditations on the multiplicity of influences shaping her and other Mexican's [sic] sense of themselves, and on the violence implicity [sic] in that process, emerge performances featuring a fast-paced, fragmented, parodic unveiling of traditional Mexican song, dress, and dance. Hadad avails herself of the humorous sociopolitical criticism of cabaret, carpa, and teatro de revista - important theatrical styles in Mexican cultural history."

