93,733 profiles ranked live

Alfred L. Werker

✓ Source-basedfalling

American film director (1896-1975)

United StatesDirectorsLived 1896 to 1975 · aged 78
Compare
Fame47.4
Momentum1.4
Languages13
In century#67,621

Alfred L. Werker was a film director whose work in movies spanned from 1917 through 1957. After a number of film production jobs and assistant directing, Werker co-directed his first film, Ridin' the Wind, in 1925 alongside director Del Andrews.

Also inDeutsch

Photos 1

Filmography 40

The Reluctant Dragon1941 · ★ 6.6
The Adventures of Sherlock Holmes1939 · ★ 6.9
He Walked by Night1949 · ★ 6.7
Shock1946 · ★ 5.9
Repeat Performance1947
A-Haunting We Will Go1942
The House of Rothschild1934
Sealed Cargo1951
Three Hours to Kill1954
At Gunpoint1955
Walk East on Beacon1952
Hello, Sister!1933
Devil's Canyon1953
The Last Posse1953
Lost Boundaries1949
Whispering Ghosts1942
Rebel in Town1956
The Young Don't Cry1957
Pirates of Monterey1947
Kidnapped1938
Gateway1938
News Is Made at Night1939
My Pal, Wolf1944
City Girl1938
Bachelor's Affairs1932
We Have Our Moments1937
Advice to the Lovelorn1933
Canyon Crossroads1955
Big Town Girl1937
Stolen Harmony1935
You Belong to Me1934
The Last of the Duanes1930
The Mad Martindales1942
Rackety Rax1932
It's Great to Be Alive1933
It Could Happen to You1939
Kit Carson1928
Blue Skies1929
The Pioneer Scout1928
Wild and Woolly1937

61 credits on file

Awards 1

1949Best Screenplay Award

Connected to Alfred 6

About this person

Alfred L. Werker was a film director whose work in movies spanned from 1917 through 1957. After a number of film production jobs and assistant directing, Werker co-directed his first film, Ridin' the Wind, in 1925 alongside director Del Andrews. He was brought in by Fox Film Corporation executives to re-shoot and re-edit Erich von Stroheim's film Hello, Sister! (1933), co-starring Boots Mallory and ZaSu Pitts.

Country
United States
Category
Directors
Type
Movie Director
Status
deceased
Dates
Lived 1896 to 1975 · aged 78
Written about in
13 languages

Fame.am measures public visibility signals. It does not measure human value, talent, morality, or credibility.