# Fame.am profile — machine-readable export
# Canonical URL: https://fame.am/person/stanley-kubrick
# Generated: 2026-09-01T05:03:43.278Z

schema: https://schema.org/Person
url: "https://fame.am/person/stanley-kubrick"
name: "Stanley Kubrick"
slug: "stanley-kubrick"
description: "He shot fewer than a dozen features across five decades, yet each became a technical benchmark or a cultural argument — the director who turned obsessive control and endless retakes into films that redefined what the medium could look like."
tagline: "American filmmaker (1928–1999)"
image: "https://commons.wikimedia.org/wiki/Special:FilePath/Stanley_Kubrick_(1949_portrait_by_Phillip_Harrington_-_cropped).jpg"
gender: "male"
country:
  name: "United States"
  isoCode: "US"
category:
  name: "Directors"
  slug: "directors"
profileType:
  name: "Movie Director"
  slug: "director"
  entityType: "https://www.wikidata.org/entity/Q33999"
birthDate: "1928-07-26"
deathDate: "1999-03-07"
livingStatus: "DECEASED"
scores:
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  momentum:             0.7497723027011215
  historical:           35.642184
  currentAttention:     14.03571428571429
  sourceConfidence:     70
  profileCompleteness:  80
  trendDirection:       "STABLE"
ranks:
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  country:  null
  category: 14
tags:
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    slug: "actors"
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    slug: "actor"
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  - name: "Literature"
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platforms:
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    handle:    "nm0000040"
  - platform:  "WEBSITE"
    url:       "http://www.kubrickfilms.com"
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# bio (long form, separated for readability)
bio: |
  Born in New York City in 1928, Kubrick worked as a photographer for Look magazine in the late 1940s before making his first major Hollywood film, The Killing, in 1956. After two collaborations with Kirk Douglas — the anti-war Paths of Glory (1957) and the epic Spartacus (1960) — he settled in England in 1961, eventually centralizing all his work at Childwickbury Manor with his wife Christiane in 1978. There he secured near-total artistic control, backed by major studios, and made a string of films that broke ground: the Cold War satire Dr. Strangelove (1964), the scientifically precise 2001: A Space Odyssey (1968) — which won him his only Academy Award, for visual effects — and the brutal, later-withdrawn A Clockwork Orange (1971). He pioneered the Steadicam with The Shining (1980) and carried that fluidity into Full Metal Jacket (1987). A few days after screening his final film, Eyes Wide Shut, for family and cast in 1999, he died at seventy.